She really wants to, as she shared with Pitchfork recently, but no one has asked her.

Seriously, wouldn’t that be awesome? Her music is so cinematic anyway. I’ve been an avid listener for many years and have always thought that the person behind “I’m Just Working for the Man,” “The River,” and “A Place Called Home” (among others) could put together a score that triggers all the right buzz words — haunting, moody, atmospheric, elusive. For further evidence, let’s listen to “Leaving California,” off A Woman a Man Walked By, her new album with longtime collaborator (and film scorer), John Parish.

In my head, I’d like to see her score a western, like her erstwhile companion (and musical counterpart) Nick Cave. If we’re going for the movie of my dreams, let’s say it’s a Campion-esque costume piece that will eroticize boots, chaps, and fringe the way that The Piano did with crinoline, corsets, and ankle boots. If it were directed by Campion and was a lesbian romance starring Tilda Swinton and Susan Sarandon, so much the better.

For now, I guess I’ll have to wait for Spike Jonze’s highly-anticipated Where The Wild Things Are. Karen O of the Yeah Yeah Yeahs served as composer for it. Expect a future post.