As her blog is on my blogroll, I highly recommend you check it out if you haven’t already. For starters, might I recommend Annie’s piece on Megan Fox? Or this one on Nikki Finke? Or this one on the season’s starless summer?
That was fun, Annie. Thanks!
Two movies are coming out that feature, to varying degrees of prominence, girl musicians. The first is Bandslam, a movie that opened earlier this month and Nikki Finke noted is plagued with misguided marketing decisions. While the material’s quirky charm seems to line up more closely with Juno, the movie is being marketed as an extension of the Disney machine.
No doubt this is cruel irony for leads Vanessa Hudgens and Aly Michalka who, along with Demi Lovato, are trying to distance themselves from the mouse as they get older. I’m not bowled over by the trailer, but am interested in it and hope it finds an audience despite its botched marketing campaign. I saw Juno with a lot of 13-year-olds. I think they’d see this movie too.
Next up, we have An Education, which is British novelist Nick Horby’s first screenplay about a cello-playing British schoolgirl falling for an older man in the Swingin’ Sixties. While I wouldn’t necessarily take a junior high kid to this movie, I know I would’ve loved this movie in high school and made my girlfriends go with me to see it.
In fact, 26-year-old me is still plenty interested, despite a very “for your consideration” trailer that brings to mind The Prime of Miss Jean Brodie, a stodgy coming-of-age British drama from the 1960s that was saved for me only by Maggie Smith’s performance and wardrobe. To review.
1. Cello-playing precocious schoolgirl, played by Carey Mulligan.
2. Peter Sarsgaard being in the movie (though I have more of a couple crush on him and his wife Maggie Gyllenhaal than a stand-alone crush).
3. A bunch of bad-ass British actresses (Emma Thompson, Olivia Williams, Cara Seymour, Sally Hawkins) are together in one movie based on a woman’s memoirs and directed by a lady, ya’ll.
4. Many of the aforementioned British actresses are playing characters who don’t want the girl with potential to give up herself for a dude. Some may be worried about scandal, but others (like Williams, who is also smashing on Dollhouse) are hoping she chooses her talents and goals over his interests.
Most importantly, I wanna see how music figures into these girls’ lives, as musicians and as fans.