Tagged: Andrew WK

SXSW Day 4 and 5 recap

More like SXSWTFit’s cold! Remember how I mentioned earlier that you should opt for comfort over fashion during the festival? I really ate my words on Saturday. It was in the 40s and windy, but I thought I could brave the weather wearing a peasant skirt I converted into a sundress paired with a cardigan, pleather jacket, and tights. I was very wrong.

Wye Oak – My partner and I checked out their show at the Galaxy Room’s outside stage. This is the third time I’ve seen the Baltimore-based duo and they get better and louder and more sonically interesting each time I see them.

After that, we grabbed spicy lamb kebabs at Kebabalicious, which made the wait to get into the Mohawk more tolerable. When we got in, some power pop group was wrapping up their set outside.

Dum Dum Girls – They played inside and were fine. Much in the vein of Vivian Girls.

Demolished Thoughts – This is a supergroup with Thurston Moore and J. Mascis (Andrew WK was billed, but absent). Awww, dad’s got a punk band. Because he is in Sonic Youth and his band mate led Dinosaur Jr., he gets to play outside at the Mohawk. He sings songs about adolescent disaffection that he scrawled in a notebook, with his tongue planted firmly in his cheek. Kim is bemused. Coco is embarrassed.

Rye Rye – She takes it back to block parties and Roxanne Shanté 45s. And I was a mere few feet away from Ms. Ryeisha Berrain, who was flanked by two male back-up dancers who sported leather jackets and tank tops that said “Rye.” It’s always nice to see cocky, bubbly girls having fun and I’ve been having fun with her since my neighbor Rosa-María brought “Shake It to the Ground” into my life.

Broken Bells – Obviously the Danger Mouse/James Mercer collaboration drew a lot of attention. They played several shows to maximum capacity crowds. And good for them. But it’s only okay to me — give me Brian Burton’s collaborations with Cee-Lo Green and Damon Albarn over pleasant 60s power pop that basically sounds exactly like The Shins (and a little like The Dandy Warhols) any day.

After that, I kind of hit a wall because I was cold and therefore cranky. Kinda paid attention to Real Estate’s set inside.

The Black Keys – They got a late start and it was effin’ cold outside but still well worth it. I’ve never seen the Akron duo and they were killer.

From there I had to change clothes. On the way downtown, we ran into our friend Jessalyn, who was feeling the chill too. When Canadians think it’s cold, I feel quite validated. We headed back over to Frank where we saw Hector, a fellow KVRX alum, and those nice folks we met from KALX yesterday. Glad they got to find out the magic that is Austin’s artisan sausage haven. We also saw Irene from The Real World: Seattle, who I think walked past me right as I was explaining her “celebrity” to my partner. A similar incident happened with Emily Mortimer in New Orleans last spring. Both ladies gave me a bit of a stink eye.

YellowFever – Back at the Mohawk. I’ve actually never seen this Austin duo before, but have liked them for quite a while. Lovely sound, warmed my bones a bit.

Total Abuse – Noise band that played over at Barbarella. Something tells me they’ve listened to The Jesus Lizard. Especially the lead singer, who was working quite a crazy eye.

Kings Go Forth – Back at Galaxy. Ten-piece Midwestern funk ensemble who have clearly spent time listening to Curtis Mayfield and Earth Wind and Fire. Pretty fun, though looser than, say, Sharon Jones and The Dap-Kings. Also, I wonder how they will be marketed. Because I saw lots of cool kids at the show, but the band is itself pretty uncool. You know, they’re mainly paunchy older dudes in tunics. I don’t have a problem with it — as a matter of fact, it’s kind of nice that some older musicians are getting attention from younger people. I’m just curious as to how their image will be spun. That said, there were a lot of older people there too. If ever there was a band I saw that I could recommend to just about anyone, this’d be the group.

Oooh, and speaking of older people, this one grandpa in a sport coat and cap got me real mad! As I noticed with several acts at SXSW, Kings Go Forth played their best-known hit, “One Day,” at the end of their set so as to avoid a mass exodus of dabblers. When the band said they had one last song, Pappy rushed the stage and yelled “ONE DAY!” which of course they played. But this jackass started gyrating and trying to get people to dance with him like he didn’t just order the band to play a song. Ugh. They aren’t your monkeys, old man.

Tried to see Best Coast back at Barbarella, but had a feeling we should return to Mohawk in anticipation of a big turnout for Death at 1 a.m. Sure enough, the venue was at capacity . . . for Surfer Blood. Ya’ll, I know they’re a big buzz band and I was pleasantly surprised that anyone could form a band in West Palm Beach, but I was unimpressed. One minute they sounded like The Smiths, then the The Shins, and their hit sounds like The Offspring covering Big Country. Ho hum. Lots of people came only for their set, including MTV VJ/walking exoskeleton John Norris.

Once Surfer Blood wrapped up, we got in to see Dâm-Funk, which was totally worth it. His voice was great, the band was tight and, as the kid next to me texted to a friend, “the mother fucker had a keytar.” I’m sure a lot of folks got pregnant after his set.

And then . . .

Death – I was stoked that they played Fun Fun Fun Fest, and I’m still excited. These guys were making this music in Detroit in the mid-70s before punk officially happened and long before it merged with funk. And they’re still killing it and keeping it positive and politically conscious at the same time. Just sayin’.

On Sunday, we met up with our friends Karin and Jacob to see Jacob’s friends’ band RICE at Beerland for Panache‘s post-SXSW showcase. Good screamy fun from the West Coast by way of the East Coast. We also saw Screens, who I liked a lot. Then we ended the night at Emo’s to see the way ruling Paradise Titty play another rousing show.

Unfortunately, there were plenty of shows I missed. However, I’m excited that I saw so many female artists and yet missed these acts: YACHT, The Coathangers, Grass Widow, Talk Normal, The xx, Psalm One, and Invincible. And while I wish that damn highway didn’t divide the town, I think I got to see a lot of great shows. Please feel free to share your thoughts on SXSW 2k10 and we’ll do it again next spring.

My SXSW 2k10 guide

SXSW 2010; image courtesy of undertheradarmag.com

Wristbands for SXSW went on sale today. Perhaps it comes as no surprise that the music festival is my favorite time of the year. I get no sleep, somehow go to work during the day, my feet hurt real bad, I smell like garbage soup come Sunday morning, and I usually end my nights with deliciously greasy food to soak up the beer. Absolute best. But since I know the proceedings can be a little overwhelming, I thought I’d offer some tips.

First, some petty bullshit.

-Calling it “South By” sounds like you’re trying to break into the industry. If you keep going, you’ll find that “South West” rolls right off the tongue. Okay, you can call it “South By.” Especially if we’re friends. I won’t correct you or make a face. But I will call it “South By South West.”

Now, some practical information regarding comfort.

-Relaxed dress code, ya’ll. Many follow the impulse to get styled out. And hey, power to you if you’re young and like playing with clothes. And if you decide that leather jodhpurs look great with your aunt’s vintage blue sequined tube top and later discover that you’re horribly wrong, Vice or Look At This Fucking Hipster might still take your picture and you can tell/text/Tweet your friends. I’m more casual, however. Hence why you haven’t seen me. The best you could hope for from me is being the brown-haired girl in a red hooded sweatshirt standing almost out of frame smirking at the girl wearing a tube top and jodhpurs.

-Keep in mind that you’ll be on your feet 98% of the time. You’ll be standing in lines or in front of bands or walking to places where you’ll be standing in lines or in front of bands. Some of these places will be outdoors where you’ll kick up dirt. It could rain. Some asshole might drop a full beer bottle or step on your toes. This is not the time to break out those pointy flats, gladiator sandals, platform pumps, peep-toe booties, jellies, or whatever fashionable shoe begs an audience. Think sneakers or, if you must be cool, flat-heeled boots. Also, since the 90s are back, maybe you still have a pair of floral print Doc Martens. If you have them in a size 5 and don’t want them anymore, give them to me.

Want; image courtesy of blackdovevintage.blogspot.com

-Free beer is great. If candy be dandy, then liquor be quicker. But you’re gonna need to drink lots of water. Dehydration is not the move.

-Remember that deliciously greasy late-night food I was talking about? Might I recommend Star Seeds or the vegan-friendly Kebabalicious for your cravings? Can’t go wrong with a treat from Mrs. Johnson’s either, especially since you can get a fresh glazed donut for free. I haven’t been to the 24 Diner yet, but it might be worth pursuing. If you wanna go the drive-thru route, What-A-Burger is Texas’s gift to tourists. I’m not so into Kerbey Lane or Magnolia Café, but they get it done. These are just some after-hours options. Entertaining the idea of what restaurant to eat at in Austin is a decision to step into a larger world. We’ve got good food locked down. If you’re looking for vegan fare, Lazy Smurf was good enough to provide a comprehensive list of restaurants. Happy eating!

-Sunscreen is a buddy. Earplugs are buddies too. But I always forget to bring them.

And now, the music.

-If you wanna gadabout and maybe see some shows, there’s lots of options. The festival offers tons of free, all-ages stuff put together by good people like Todd P. They’re even nice enough to offer those listings in neat little indexes you can fold in your back pocket. But if you want to see specific acts, particularly buzz artists covered by The Onion, Pitchfork, NPR, or others, you’re most likely gonna need a wristband. This is an international festival. Venues fill to capacity. If you can’t make this happen but you’re a student on spring break or can take off work, day shows and after-hours parties are your buddies. You can see a lot of up-and-coming acts that will be playing in the evening for little to no cover.

-Even if you can make it happen, take some time to enjoy the day shows. KVRX always delivers. TerrorbirdMedia put together great showcases. Yard Dog is for sweethearts. NPR is a buddy. GRCA is putting together a great day show.

-If you are coming in from out of town, please make sure you check out our local talent. Austin’s touted as the live music capital for a reason, as the city is lousy with awesome bands. One only needs to check out Matador’s Casual Victim Pile compilation for recent evidence (note: the title is an anagram for “live music capital” — har har). As a local, I tend not to see so many local bands during the evening because they’re around and I have to prioritize. But if I didn’t, I’d see as many Austin bands as I could. You should too.

-If you like an act, check to see what label they’re on. Chances are you might like another band on the roster. If you do, it’s probably worth checking out the label’s showcase. Some record labels I follow: Merge, DFA/Astralwerks, Warp, Kill Rock Stars, K, Stones Throw, anticon., XL, 4AD, Carpark, Kranky, and Sub Pop. They usually put on day shows as well, sometimes with other labels.

-If you feel like exploring new sounds or are intrigued by an act because of its name, do a little investigating. Might I suggest checking in with that thing called MySpace as a starting point? It has to be good for something.

-Don’t be afraid of bands you don’t know. Trust your friends and their tastes if you have evidence of compatibility, because you might discover something really special. In 2005, I remember going to the Church of the Friendly Ghost (RIP) to see a band because someone I knew thought I’d really like them. They were a British dance band and I don’t believe they had a deal in the states yet. They were a polite, brainy bunch who put on a great show and had lots of energy. They even did a charming cover of Fleetwood Mac’s “Miracles.” Their name is Hot Chip and I haven’t been able to catch them since.

Hot Chip: officially too big to call me back; image courtesy of guardian.co.uk

-Build a schedule. You can do it through SXSW’s Web site. Print it out or plug it into your phone. You’ll want it with you at all times.

-Stay connected. I posted this today, but acts will be added up to the last possible minute. Check SXSW’s Web site, Twitter, Facebook, listservs, various e-mags, etc. I will also update this post as more acts I like are announced.

-Finally, I’ll offer up lists of bands I’m planning to see so that setting a schedule can be a bit more manageable. This is by no means a comprehensive list, but rather my list. I’m not interested in being a tastemaker. I’ve taken the liberty of putting my selections in tiers. Tier 1 are acts you can only see during SXSW (last year’s example was Flower Travellin’ Band, a 60s-era Japanese psych-noise band). Tier 2 are the acts I’m really hoping to see. Tier 3 are the acts that have a lot of hype around them or staying power to them and are worth seeing. The Texas section is self-explanatory, and is all-killer, no filler. It’s a hierarchy, but it keeps things tidy. Also, I provided links to every artist so you can check ’em out.

Tier 1
Anti-Pop Consortium, Big Star, Death (returning after Fun Fun Fun Fest), The Zeros. (Note: Where are the women besides Wanda Jackson? Melissa at GRCA would also like to know.)

Tier 2
Aa, Julianna Barwick, The Besnard Lakes, Best Coast, Black Dynamite Sound Orchestra, Black Milk, Bomba Estéreo, Breakestra, Califone, Carolina Chocolate Drops, Exene Cervenka, Daedelus, Kimya Dawson, Dengue Fever, Dosh, Damaged Good$, Dam Funk, The Entrance Band, Explode Into Colors, Fashawn, Flying Lotus, GZA, Invincible, Jean Grae, Sharon Jones and the Dap-Kings, Les Savy Fav, Liars, Lyrics Born, Madlib, Major Lazer (their debut album didn’t meet my lofty expectations, but they should be fun in a live setting), Mayer Hawthorne and the County, Memory Tapes, MEN, Mountain Man, Murs, 9th Wonder, Peanut Butter Wolf, Jemina Pearl, People Under the Stairs, Phantogram, Pharoahe Monch, Psalm One, Smoosh, Themselves, Tobacco, Toro Y Moi, Total Abuse, Viv Albertine, The Walkmen, Wye Oak, The xx, YACHT.

Tier 3
Matias Aguayo, Andrew WK, Blue Scholars, BO-PEEP, Sarah Borges and the Broken Singles, Bowerbirds, Kría Brekkan, Broken Bells, Broken Social Scene, Buckshot, !!!, Class Actress, Cocktail Slippers, Crystal Antlers, Drawlings, The Ettes, 4th Pyramid, The Fresh & Onlys, General Elektriks, Golden Triangle, Ha Ha Tonka, Hole (if it happens), Horse Feathers, Hunx and his Punx, jj, Kid Sister, KIT, Solange Knowles, Sondre Lerche, Thurston Moore, Neon Indian, Nappy Roots, No Age, Denitia Odigie, Peelander-Z, Pocahaunted, Pomegranates, Ra Ra Riot, The Raveonettes, Rhymefest, The Ruby Suns, Rye Rye, School Of Seven Bells, She & Him, Slum Village, Surfer Blood, Thee Oh Sees, Titus AndronicusTyvek, Uffie, The Very Best, Visqueen, Washed Out, Wale, Warpaint, The Watson Twins, Yip-Yip, Jonneine Zapata, Zs.

Texas
Balmorhea, Best Fwends, Scott H. Biram, The Carrots, Dikes of Holland, Daniel Francis Doyle, Follow That Bird, Girl in a Coma, Paradise Titty, Pink Nasty, RATKING, Spoon (sorta local, though a big-tent act; they get a pass because Transference is my favorite album of 2010 thus far), The Strange Boys, T Bird and the Breaks, Ume, When Dinosaurs Ruled The Earth, Wine and Revolution, Woven Bones, White Ghost Shivers, YellowFever.

Have fun! See you around town!